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//-->ASBS 02/15 | NO. 35April / May / JuneGermany 6,90 €Europe 8,10 €International US-$ 11,00 (RRP)TUTORIALS ARTISTS SCENE MATERIALSExclusive Download Center for Readers: www.airbrush-magazine.netCUSTOM PAINTINGBY FITTOGrim Reapers &DemonsVIP PORTRAITSMorgan FreemanPaul NewmanJÜREK SMOON WOLFGISTSpray Can & AirbrushSea DragonERREMay1–3Automotive Painting Truck & Harley | Airbrush-Show Rosmalen / NLNOMIXED TECHNIQUE+BONUS TUTORIAL:W!EDITORIALHere you go –your new issue!You’d surely love to have your issue of Step by Step de-livered to you personally by bodypainting model Michaela,right? Yes, "sex sells", we know that. Unfortunately,we have a few too many readers to make that type ofdelivery possible.But animals also come with a bit of a ”cuddle factor“ –and that’s why we’ve decided on placingJürek’s MoonWolfon the cover of this issue. With his first-classairbrush-paintbrush mixing technique, the Pole livingstateside creates animal portraits featuring incredibledepth.Now, do either Paul Newman or Morgan Freeman seemto fit right with the topics “Sex sells“ or “CuddlingFactor“? For a few ladies out there, sure. In their ownway, both portraits are incredibly photorealistic andgrab the viewer’s attention. ColumbianJohn WilliamFlorezcreates an apparently torn up portrayal of US actorMorgan Freeman using a number of different materials.Steve Driscollmakes a portrait of Paul Newman based ona black-and-white photo.It gets a bit less charming in the motifs fromFittoandSteve Gibson:Fitto’s amazing world is all about demons,grim reapers, and skulls & bones. The latter of which issomething Steve Gibson also brought to life in a classiccustom painting on a black Ford Bronco.In our ”Events“ section, we show you thatthere were all sorts of lovely things tosee at the "Wonderworldof Airbrush"in Rosmalen other than attractivebodypainting. And perhaps you toowill soon decide to participatein theInternational AirbrushDayson May 1st– 3rd, 2015.The last chance to registerwas extended once again,meaning there only butjust a few more spots…Here’s wishing you loadsof fun with this issue!Your ASBS TeamCONTENTSTEP BY STEP04Morgan FreemanIllustration on CanvasThe portrait of Morgan Freeman, painted by JohnFlorez, combines various styles and materials.10AchillesAutomotive PaintingBernhard Laschober designs a Trojan style Harleywith copper foil and a portrait of Achilles.34Paul NewmanIllustration on AluminumSteve Driscoll shows how to paint a colorportrait from a black and white photo.46Moon WolfIllustration on WoodThis artwork is a prototype of Jürek’s amazingairbrush and paint brush mixed technique.60Skulls & FlagsAutomotive PaintingWhite skulls and flags on a black truck – that’sclassic automotive painting by Steve Gibson’s.BASICS20Metal FinishRoger Hassler shows how to create a fake metal lookwith an airbrush and a paintbrush.INTERVIEW28FittoNo Fear of FittoCanadian Martin Bouchard goes about hisdesigns with a good bit of sensitivity,fantasy, and professionalism.52Lars OschatzThe Laurus Style: Airbrush & Spray CanLars Oschatz set the trend of mixing airbrush andspray can techniques and breaks all records whenit comes to wall and facade design.CLASSICS23417073Airbrush NewsNew devices for easy varnishing!Readers’ GallerySweet, sexy and horrible: The perfect mix!Scene / EventsWhat’s going on in the Netherlands and Belgium?Shopping Guide+ BONUS TUTORIALLike shopping?Bodypainting von Giuliano Rapetti,The Wonderworld ofAirbrush in Rosmalen / NLwww.facebook.com/giuliano.rapetti.974PreviewMickey Mouse, David Bowie and some sweet lips!02/15 EAIRBRUSH STEP BY STEP3STEP BY STEP| Morgan FreemanLevelWhen it comes to successful American actor andOscar prize winner Morgan Freeman, we can hardlyspeak about a man with a “fractured personality”.Nonetheless, Columbian artistJohn William Florezhas created a portrait of the actor that makes use4AIRBRUSH STEP BY STEP02/15 Eof 3 fragments out of various “materials”. The re-sult is a sophisticated piece of art with differing sur-face structures, colors and styles, all made possiblewith just one airbrush, a scalpel, an eraser, and twohues of color.Morgan Freeman |STEP BY STEPEQUIPMENT –Morgan FreemanAirbrushes:Iwata Hi-LinePaints:Wicked Colors Black, Cobalt Blue, Burnt Sienna,Transparent base, and High Performance ReducerSurface:CanvasAdditional materials:Electric eraser, scalpel, paper, adhesivetape, 220 grit sand paper, canvas varnish, 3M spray glue01Reference photo and canvasFor this job, you need a canvas with a soft, clean surface. I place 2 to3 layers of white primer on mine and then sand it down between the layerswith 220 grit sand paper. When finished, I clean the surface with a dusting toweluntil it feels really smooth and satin-like. With 3M spray glue, I attach a verygood printout of my reference photo onto the canvas. I then cut out some loosetemplates for the contours, the dark areas, the important lines, and details.The reference photo should have a very solid resolution so that I can see andimplement the details.02Fundamental formI place the template onto the canvas and apply an initial, very thin layerof paint consisting of 5 drops of black, 5 drops of Cobalt Blue, 4 drops of trans-parent base, and 7 drops of reducer.This is how I go about establishing thebasic formations of the eyes, nose,mouth, ears, and hair strands, which I’llthen further process per freehand inthe course of the work. To clarify thenose, I’ve sprayed on the shading belowmy paper template. The partial areasabove and below remain masked by mycut-out stencils and will be later de-signed in another color hue. I widen thebreaking edge with additional torn pa-per edges.03Adding paintlayer for layerWith this same paint mixture as in step two,I am able to use this one individual colorhue in order to create all of the areas fromlight to dark. The white areas in the eyeare left out right from the beginning byusing the template. I define the skin struc-ture and facial characteristics layer forlayer and with that, work very transpar-ently. I can add small light highlights tothe picture with the electric eraser thanksto the previous canvas primer. The hair isestablished partially with trembled and cir-cular lines. In the picture, you can see howthe shadowy edge of the nose that wassprayed on beforehand optically combinesand flows together with the freehandlines and shadings. The final color hue onthe respective spots is only achieved stepby step in building the coloring by layers.02/15 EAIRBRUSH STEP BY STEP5 [ Pobierz całość w formacie PDF ]